6.25.2013

I love this review of my fourth book. The book has been out for a while but the review got posted ten days ago. Grateful writer!


5.0 out of 5 stars THE Book to learn all about photographic lighting equipment........June 14, 2013
By 
Nancy Lemon (Forney, Texas) - See all my reviews
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I have long been a fan and once again, Kirk Tuck NEVER disappoints ....... if you're a newbie and 
want to learn all about the various photographic lighting equipment available, then this book is for 
you ........ if you're a seasoned photog and are in need of a bit of a refresher on lighting to get the 
creative juices flowing again this book is also for you....... Kirk style of writing is informal and very 
down to earth, one gets the feeling that he is talking to you like he would talk to a friend. 
He never seems to get bogged down with equipment rather he is teaching from his past experiences 
about the vast choices of lighting available today...... I especially love how he shows by example that 
one doesn't have to go out & spend allot of money on equipment...... in one section he shows how 
he is able to shoot portraits using portable construction lights & a shower curtain! I have always 
found his insight enlightening and entertaining....... This is a comprehensive book about all manner of 
lighting equipment with the exception the newest lighting option of LED...... fortunately, he's just 
released a book devoted to LED so if you want to learn about lighting equipment, buy this book & his 
newest on LED and you'll have a very rounded knowledge of the subject.
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This is my least talked about book. Nothing controversial, just an overview of lots of different devices to make light or make light better. And probably my favorite.

A few little unnerving observations from yesterday. The first one is that cheap gear works well.

The old Lamar Bridge via the Samsung NX300 camera and kit lens.

While in Houston yesterday I photographed with both the a99 and a58 cameras. What's the difference between them? Not much. One (the a99) costs $2799 and the other costs $550. The a99  features a full frame sensor while the a58 makes good use of a new 20 megapixel APS-C sensor. But when it comes right down to how the images look on the big screen it's mostly a toss up. Of course the tr├ęs literal readers will foam up at the mouth and start yanking my chain about the imaging performance at 6400 ISO but that only works if you have nice looking light to begin with, not fluorescent lite office interiors that need to be lit to work aesthetically. At the point where you introduce lighting design you essentially cancel your desperate need for religiously pure, high ISO performance.

My point? If you light what you shoot or you shoot in nice light you'll find just about every body out there on the market today is nothing more than an appliance on which to hang your chosen lenses. We've reached a point that is analogous to where film equipment was in decades past; the camera is now the interchangeable box and it's the quality of the lenses that drives the bus. That, and being able to really see fun stuff with your unadorned eye and mind. Will a better camera make you a better photographer? If you are shooting a contemporary DSLR? Probably not. Except at the technical fringes. Oh, you shoot sports? Professionally? Well then, you already know what you need to be using.

Second lesson learned. In the future most lens improvements will be in the lens profile software. I shot with an inexpensive wide angle zoom for all my wide shots yesterday. It's a Sigma 10-20mm f4.5-5.6 lens. Believe me, it's nothing fancy but it sure is wide and it doesn't misbehave. The only flies on this piece of cake have been a strange, moustache distortion on the outer edges of the lens and a whole heapin' helpin' of vignetting at just about any aperture south of f11. But I had the confidence to use the lens because the latest raw conversion update for Lightroom 4.4 includes a well done profile just for this lens. Touch an on screen button and watch the exciting transformation from sharp and saturated but distorted with dark edges into "Wow! That looks great." I like to think that Adobe has a facility somewhere with lots of donuts and pizza and Mountain Dew where software writers sit around testing lenses and writing profiles for them and that they will eventually get to every lens I ever wanted to own.

This profile makes my lens a heavy hitting production lens. Now I'm happier shooting wide and wider.

I learned to cancel my four days of driving to Denver and back to Austin for later this Summer. I drove to Houston and back, a mere 6 hours behind the wheel and I'm tired of driving for at least the rest of the quarter. I need to be in Denver on the tenth. Now I'm flying. I'll ship all the crap I wanted to take (the original rationale for driving insane distances....).

I learned that one needn't go far from home to get great BBQ. If you read yesterday's blog you read about my disappointment with the brisket and ribs at Smitty's. Well, I sampled the brisket (just a taste, not a lunch) at Whole Foods today and I stand by my assertion that state of the art Que can be had just a bit more than three miles from my home. The rest is just scene-sters posturing.

That's enough learning for one day. Now it's back to work. Must clean studio before session with alarmingly beautiful person tomorrow morning. Yes, you'll see the images.